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New EP ‘See My Girls’
Today we are delighted to release our new EP ‘See my girls’.
4 songs – ‘See my girls (edit)’, the great David Boulter instrumental ‘A street walker’s carol’, ‘Blood and bone’ and the original Le Chien version of ‘See my girls’.
The film for ’See my girls’ is a collaboration with Stuart’s daughter Sidonie Osborne Staples made from her continuous illustration of the songs narrative.
Sidonie also made the artwork for the EP and co-wrote ‘Blood and bone’ on which she also provides the lead vocal.
The EP is available digitally today. The 12” vinyl will be available at tour our dates from Gent (29th January) and in stores on 7th February.
A street walker’s carol
From the ‘See my girl’s EP
Written by David Boulter
Artwork by Sidonie Osborne Staples
Blood and bone
From the ‘See my girl’s EP
Written by Sidonie Osborne Staples
Artwork by Sidonie Osborne Staples
See my girls (Le Chien version)
From the ‘See my girl’s EP
Artwork by Sidonie Osborne Staples
We wanted to make something physical and human. Not constrained by clicks or grids or loops. Songs played into the air, captured in a moment, unique to that moment and how we felt and reacted to each other within.
You can read the words here
‘For the beauty’
‘Pinky in the daylight’
Taken from the album ‘No treasure but hope’, listen and watch the film directed by Stuart.
“The chorus for ‘Pinky in the daylight’ came to me through the flapping canvas of the sun shade on the deck
of the old blue ferry leaving the island – A rare moment of contentment and calm. A simple love song in
complicated times.
I wanted to make a film that captured the beauty of the island and the beauty of Suzanne. A love letter in
Super 8 film.”
The first song, ‘The Amputees’
Watch the stop-motion animation made by Stuart, Neil and Suzanne.
Exhibition of stills from the film in Antwerp.
Super Limited 7” of ‘The Amputees’ + signed print with select bundles of album.
New Richard Dumas and
Suzanne Osborne colour portrait
From large format stills taken by Richard during the Paris recording sessions, then overlaid in the darkroom.
Suzanne used a traditional method of hand tinting the print with brush and photographic inks.
Exciting shit!
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